Culture
Hans Werner Henze: The Sea Betrayed (Capriccio)
I was completely absorbed by this opera as a sound production — maybe one day I’ll get to see the whole show
Otherworldly talents
Long live the golden age of British television, when great actors imbued classic roles with risky, multifaceted complexity
Howdy, partner
On the least erotic noun in the English language
The Dresser Undressed
The delicate process of writing the biography of a wary Sir Ronald Harwood
The Crimean War
Professor Jeremy Black on how Britain, France and the Ottoman Empire found themselves fighting together in the Crimea
The scatalogical subversive
Magritte’s work is no more socially potent than dog-mess on a doorstep
Size isn’t necessarily substance
Gatsby aside, F. Scott Fitzgerald — the Jazz-Age chronicler — is dispensable
Lana chameleon
Pitchfork was one of a whole ecosystem of taste-making blogs which laid claim to being the ones who had made del Rey
What’s the point of political art?
Art that shocks, offends, and amuses has a purpose beyond aesthetic: its existence is a testament to freedom of expression
Horrors of war
Christopher Silvester on two extraordinary films from Eastern Europe shown at the London Film Festival