Cheques and balances
John Self says that while writing has always been seen as a vocation, the characters many authors care most about are the ones printed on their royalty statements
Blueprints for laughter, life, love and belonging
Fiction works on the understanding that none of it really happened; we agree to believe it anyway, says John Self
Best of the year that was
Put down the pandemic novels: Here’s my favourite fiction of 2020
Timelessness trumps timely
What we have is pure storytelling delight, a page-turner that works forwards and backwards as the reader fills in the gaps
Catnip for culture lovers
Contrasting works from a veteran master of invention and two newer faces who blur fact and fiction
Appealing and not-so appealing
If Martin Amis isn’t entertaining you on every page, then what’s the point of him?
Don’t worry, novelists are still envious and bitter
Unlike Douglas Murray, John Self thinks the satirical novel isn’t dead
Small, but perfectly formed
John Self examines three varied, emotionally satisfying novels that together come in at less than the length of a single Mantel
Matters of life and death
John Self reviews Utopia Avenue by David Mitchell, The Liar’s Dictionary by Eley Williams, and The End of Me by Alfred Hayes
Men and women and men
John Self reviews Sorry for Your Trouble by Richard Ford, This is Pleasure by Mary Gaitskill and Cleanness by Garth Greenwell