Jesus Christ Superstar, the London Palladium

The Somaliland lobby is being dangerously naive about the realities of the region

She invokes a vanished age of policing, but Shabana Mahmood’s reforms point towards a more continental model of policing

La fille du régiment, Covent Garden

Outdated regulations are keeping thousands of redundant phone boxes on Britain’s streets

There is little value in complaining about foul play if you cannot win

How to make irrational authoritarian moralism sound like urgent common sense

England’ greatest vineyard is up for sale for the first time. Henry Jeffreys looks into whether it will make a good business proposition. 

Keir Starmer enjoyed a warm end to a chilly premiership

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Tom Rolt, whose rescue of the Talyllyn Railway provided a model of how we can stand up to the homogenistion of our culture

The MoD’s drive for a net zero military is an ideological folly that risks national security

Grub Street thrived when
there was an “establishment”,
movements and feuds

Sarah Ditum talks with songwriter Neil Hannon of The Divine Comedy

Is it any wonder there’s a two-tier policing controversy when officer training is focused on political correctness?

The cinematic genius admired by today’s directors

Even the more effective politicians do not have time to achieve anything

Peter Glanz’s Savage House captures the splendour, squalor and social ambition of Georgian Britain with remarkable historical confidence

Britain’s answer to America’s biggest conservative gathering offered empty seats, familiar grievances and a vision of the country that exists largely in the imagination.

Baudrillard warned that politics would become a world of signs detached from reality. Manchesterism suggests he was right

When does upholding free speech become an act of self-sabotage?

An account of everything even the most dedicated fairy-follower could want to discover

An optimistic rejoinder to common dating advice

Whistler by Ann Patchett; The Smiths: A Novella by Michael
Bracewell; Schoolgirl by Osamu Dazai

Those describing it as a masterpiece cannot have seen Saving Private Ryan or Schindler’s List

Abstract activist concerns have overshadowed aesthetic production

I Puritani, Royal Opera, Covent Garden

There’s a real weight to some lyrics once you’re nearer the end than the beginning

Patrick Galbraith welcomes an ambitious new shoot tenant

Henry Jeffreys savours some reds and whites from the Bekaa valley