Just as Taylor has nailed the emotional lexicon of her people, Finn has nailed it for his

The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition

A month of politically-minded podcasts has reached its exhausting apogee

Unsurprisingly, the most brilliant of all English music-theatre pieces are mostly overlooked

This update of a classic from the Royal Opera House is a reminder of why messing with great pieces is so risky

In a story of a fiendishly successful performance, Eliot Sumner proved an extremely unconvincing man

Mariana Spring is back, with another series to set the songbirds a-twitter

Movie length seems to have become a way for directors to tell us what serious people they are

Set mainly in Nazi-occupied Paris, The New Look tells the story of Coco Chanel and Christian Dior

Wilde’s preoccupation with beauty and artifice brings a sassy Victorian immorality tale into our own times