Kit Wilson
Kit Wilson is a London-based writer with bylines in the Spectator, Standpoint, CapX, Arc Digital and Areo.
The musical prophets that could see into the future
The ability to predict musical developments far in advance suggests different expressions of a single underlying logic of tonality
The unsurprising rise of AI art
Whether we like it or not, the intrusion of AI into the domain of human creativity is going very quickly to become a fixture of our lives
Why we need a common faith
Is there any clear route out of the philosophical modernity and nihilism that plague our reality?
Most Read
Gary Stevenson is wrong about wealth taxes
The popular economist is irritating, but more importantly he is mistaken
Why they hated Ann Widdecombe
Fair-minded people could agree or disagree with her opinions. Left-wing bigots hated her for not abandoning them
Ethnic minorities are abandoning Labour
It is not just Muslim voters who have been abandoning the Labour Party
Adventures in Soho
All the pleasures of roughing it and very little of the actual rough
The excesses of intellectual illiberalism
Justified dissatisfaction with liberal modernity has curdled into something alarmist and authoritarian
QAnon for centrist dads
Peter Chappell’s What If Reform Wins is less a political forecast than a Westminster panic attack in novel form
Irish anti-Israel agitation is out of control
Anti-Israel sentiments among Irish nationalists are irrational and opportunistic
After the flood
Net migration may be falling, but the long tail of Britain’s recent immigration regime ensures the debate is far from over
Right-wing fight night
A debate over the future of right-wing politics in Britain offered little heat and less light
Critical briefing: Unite the Kingdom
What you need to know about the Unite the Kingdom march on May 16
Labour’s mercurial kingmaker
The eventful career of Josh Simons, the man who gave up his seat for Andy Burnham
Good news for the rule of law
Activists who break the law should not be able to appeal to their high-minded motives
The malicious and the mad
Two recent productions offer two different perspectives on dark sides of masculinity
