The digital dirty war
Ukraine is partnering with Silicon Valley to digitally desecrate the dead
The victorious sign
What relationship should Christianity have with politics?
Queering Chesterton’s Wall
The Critic is moving in a new direction: every direction
The romance of nationalism
National Conservatives are reclaiming nationalism — but which nationalism?
Who are the National Conservatives?
National Conservatism Conference diary: message discipline and hidden divisions
News from nowhere
National Conservatism Conference diary: our brave reporter encounters globalisation in Brussels
Is the Ukraine conflict about me?
A narcissistic generation reacts to the shadow of war
Kiev and Moscow: a tale of two Russias
Ukraine threatens Putin because it offers an alternative version of Russia
Herald of a new politics
The old coalitional politics of left and right have given way to tribal identity
The asexual lingerie model and other modern mysteries
Why sex-positivity is anti-sex
Entering the populist Pyongyang
Your correspondent watches the far right debate immigration — but will he go native?
Has Israel walked into a forever war?
A brutal conflict seems unlikely to be winnable any time soon
Faustian modernity
200 years ago, Goethe invented modern man
The Tories are victims of themselves
It is futile to complain about the consequences of laws they have established or upheld
The conspiracy illusion
Marianna Spring is looking at the finger, not the moon
Do not sanction the truth
Stating biological facts should not be cause for heavy-handed complaints proceedings
Against rights radicalism
A noble cause has mutated into an obstructive and anti-democratic force
Why tech execs don’t give their kids phones
Gen Z’s brains have been “rewired” by the online world —can they be restored to factory settings?
Music for a disintegrating world
Valentin Silvestrov: Widmung, Postludium (Naxos)
Return of the referendum?
More direct democracy could be Europe’s only means of restoring political legitimacy
Long story short
Movie length seems to have become a way for directors to tell us what serious people they are
