Lebrecht’s Album of the Week
Brahms 4th symphony, MacMillan Larghetto for orchestra
The Larghetto’s organic optimism transcends present woes and looks to bright eternity
Renaud Capucon: Un violon à Paris (Warner Classics)
Taken together, it’s not the kind of music you want to hear in isolation
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
London Nights (Capriccio)
Intelligent and well played though it is, Franziska Lee’s album of Londonoid piano pieces can’t make a bad sonata better
Emily D’angelo: A n ar gei a (DG)
This debut album is a treat for the senses and a tonic for tired tastes
Shani Diluka: The Proust Album (Warner)
His concerto is a rag-and-bone man’s barrow trundling down a Haussmann boulevard
The Polish Volin, Vol. 2 (Chandos)
The atmosphere is so thick you’d need a charcuterie knife to cut it
Round Midnight: Dutilleux, Merlin, Schoenberg (Erato)
This is razzle-dazzle entertainment; keep it by your bedside
Beethoven, Birtwistle: A bag of bagatelles (Wergo)
Those who listen to music with an open mind are going to have a ball with this
Renée Fleming: Voice of Nature, The Anthropocene (Decca)
Beauty released by the singer’s larynx is met by plodding fingers on a monochrome keyboard