Lebrecht’s Album of the Week
Elgar: Violin concerto/violin sonata (Warner)
Elgar works best when a conductor appears to do least
Anna Clyne: Mythologies (Avie)
Clyne’s debut record is a validation of the continuing relevance of classical form in the twenty-first century
Shostakovich: Symphonies 9 and 10 (LSO Live)
In terms of sheer wealth of experience, few conductors can compare to Gianandrea Noseda
Edward Elgar: Partsongs, From the Bavarian Highlands (BR Klassik)
The Bavarian Radio singers’ command of English will have to improve when Sir Simon Rattle arrives to take over
Copland, Nielsen, MacMillan: Clarinet concertos (Delphian)
Of all clarinet concertos, including Mozart’s, Aaron Copland’s is Norman Lebrecht’s favourite by a Siamese smile
Good Night! (Erato)
French pianist Bertrand Chamayou’s compilation of lullabies shows a degree of taste and independence unusual in a young soloist still at the start of his journey
Ralph Vaughan Williams: 5th symphony/Bunyan’s Pilgrim’s Progress (Hyperion)
Symphonies to give you hope and vision
Transatlantic (Orchid)
Much of the appeal of this Covid-era recital by violinist Callum Smart and pianist Richard Uttley lies in the effort they invest to find common ground
Giya Kancheli: Poetry of Silence (Gramola)
Kancheli’s miniatures grip you by the throat and won’t let you do anything else until it’s over
John Luther Adams: The ‘Become’ trilogy (cantaloupe)
You will either feel very relaxed by the middle of the piece or you will throw things at the wall and say some very bad words