On Music

Now, how the Helsinki has this happened?

As dramatic opera, The Passenger inhabits a grey zone of guard–prisoner relations

No conductor from China or Japan ever commanded world orchestras before Seiji Ozawa, and none has since matched his impact

Giving marks to people playing Chopin is no different from deciding on medals in gymnastics

There are expectations going back to 1948 that musicians turn up to provide relief

Bruckner and the German soul

On a performance in three dimensions for all five senses

Why music festivals have lost their purpose

How London has lost its place as a classical music capital.

On the extraordinary talent of a troubled composer