On Music

The violinist Gidon Kremer stands brilliantly apart from the rest of the music world

A performance space without walls or limits

A new project to restore Beethoven’s incomplete symphony borders on pathological necromancy

Bernard Haitink, who died last month, was a conducting master

If Yuja Wang were to strip everything right down to the music, she could be a sensation

The future of conducting is looking bright — everywhere except in Russia and America

The first duty of a conductor is to imagine a world without noise

Zemlinsky’s music is arresting and his ideas fertile and diverse, but he often goes unnoticed

Norman Lebrecht on how Marion von Weber was both interesting and important to Mahler’s emergence

The appointment of a chief conductor little affects the general performance of an orchestra