A depressing, inarticulate complaint of a generation too paralysed even to make art

How will the art world respond to its narrative shock?

The critics who are now lackeys of the art world

The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition

Few things are more tedious than books moralising about the deficiencies of yesteryear

Artists don’t have to be shielded from critics

Is there a book she doesn’t like?

What does it mean to be critical?

Trying to bring large, arrogant public institutions to book is exhausting

Robin Ashenden says the critic would have declared war on an ill-judged edict