How to be a populist in the art world
A recent conference on populism exposed the extent to which the art world talks around actually existing people
When art took on fascism (and lost)
Abstract activist concerns have overshadowed aesthetic production
The ends of Pan-Africanism
An exhibition devoted to Pan-Africanism avoids important political and aesthetic questions
Knowingly crass and conflicted
This American culture is hegemonic because even to steal from it is to propel it
Zurbarán on Freud’s couch
An acclaimed new exhibition is full of overwrought symbolism and compositional failures
Spectres of folk
Can the gallery embrace unofficial culture?
Soft competition
There are participation prizes to everyone at the Venice Biennale
Beauty from the ruins of war
Painting gave artists and their viewers a temporary way out of the grim wartime reality
Seeing colour
Donald Locke, Resistant Forms at Camden Art Centre
Art: my part in its downfall
Pierre d’Alancaisez was part of the
contemporary art world’s inner circle until
he saw the error of his ways
