The Turner Prize’s identity crisis
The art establishment has revived competent drawing in spite of itself
Merchants of the Venice Biennale
For all its pretentiousness, the Venice Biennale still hints towards higher truths
The sculptor’s funeral
The death of Imogen Stuart represents the passing of an Ireland that built, rather than destroyed
Nemesis comes to Charlottesville
As Americans gleefully melt down statues of Confederate leaders, they may soon discover that iconoclasm is no road to civic peace
The lives of other apes
How to think about our hominid cousins
The Queen’s plinth?
Let’s put this sorry landmark to patriotic use
Animation grows up
Jibaro is an artistic triumph
Oil, art and the perils of patronage
Art patrons have always been on the wrong side of history
Women on the edge
A feminist frame that doesn’t fit
The souping of Saint Vincent
The iconoclastic impulse must be curbed