Books
Murders for late November
From Shakespeare to Agatha Christie, crime novels invoke the genre’s heritage, sometimes ably and sometimes not
Her story repeats itself
Hidden Lessons is filled with clichéd phrasing and, even worse, predictable and clichéd thinking
The scatalogical subversive
Magritte’s work is no more socially potent than dog-mess on a doorstep
What’s told is news again
Not much has changed since Philip Gibbs’ forgotten classic lifted the lid on early 20th century Fleet Street
Our deepest, darkest fears
The transgressive, transmedial and transnational nature of the Gothic genre
Opiate for the leftists
How Wokeism tries (and succeeds) at filling a religion-shaped void within the American left’s psyche
Overarching view of the air war
These two volumes are a solid starting point for understanding the British and Commonwealth air war
Murders for early November
As the days quicken and the shadows lengthen, our thoughts turn naturally to murder
The fanatical commissar of killing
An engaging and thoroughly readable new biography on Boris Savinkov
Big questions, muddled answers
Human Frontiers is an entertaining, zippy read but it feels one layer down from its ostensible subject: big ideas