Art
Mass-goer who glorified mass production
Christopher Bray reviews Warhol by Blake Gopnik
Art for oligarchs’ sake
Divorced from aesthetic considerations, the modern art business is a refuge for the uber-rich
Artemisia will be worth the wait
A unique art exhibition awaits an audience
Antique business
Thomas Woodham-Smith on an old trade in a brave new world
The Marbles won’t be lost
Is this the end of the Elgin Marbles debate?
The Critic Interview: Grayson Perry
Richard Brooks accompanies the Turner Prize-winning artist around his new show and explores his troubled pre-therapy youth
True Feminism has Never Been Tried, Comrade
Alexander Adams reviews Women Can’t Paint by Helen Gørrill
Fairs and fair dealing
Thomas Woodham-Smith listens with caution
The gender discount
Women may now account for 64 per cent of fine arts graduates in Britain but research shows the old values remain entrenched, says Michael Prodger
The real Amis?
X.Trapnel on the book world’s latest guessing game
Toxic relationship
For a long time, it has seemed that you’re nobody until somebody’s tried to get you cancelled
The follies of human quantitative easing
British politicians have made a fatal commitment to human quantitative easing
No party for female voters
Gender-critical feminists have almost no one worth supporting
Dismantle the HR state
Opaque standards committees are putting British public life in a stranglehold
The scourge of EDI
It is patronising, divisive and anti-meritocratic
The final lap
Senna dives into the high-speed Tamburello corner and never comes out of it
Losing the crowd
In bullfighting, audiences can be as tough as animals
Medical science is oppressive
Illness and wellness are mere taxonomies of power
Mad dogs and English football
Our memories of hooliganism deserve more nuance
Infected blood and infected institutions
Decades on from the beginning of the infected blood scandal, our institutions still fail to align themselves with the truth
Women have bad odds with Dodds
This appointment is an insult from Keir Starmer
