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Claves

Hope and stories

Hope and stories

Bicinia (Claves)

Lebrecht’s Album of the Week
Norman Lebrecht

Most Read

Labour’s mercurial kingmaker

The eventful career of Josh Simons, the man who gave up his seat for Andy Burnham

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Stella Tsantekidou

In defence of Lara Bird

There is nothing weird or dishonest about having a dual existence

Artillery Row
Jack Davey

The hitch with the Hitch

How Christopher Hitchens brought me back to Christ

Artillery Row
Duncan Hegan

A shameful Bill

Labour is spectacularly failing the British people on immigration

Columns
Chris Bayliss

The ties that bind

A revived society tie has raised thousands for hedgehogs — and reminds us what Britain has lost with the decline of the club tie

Artillery Row
Bijan Omrani

The Hollywood starlet and the immigration albatross

Free marketeers were too content to ignore the negative externalities of immigration

Artillery Row
Craig Drake
Print & Online
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Ice and fire

Ben Stokes has had a truly exceptional career

Artillery Row
Ben Sixsmith

An elusive eatery

Total failure, redeemed by souvlaki and chips at the kebab stand

Woman About Town
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Amazing Grace? Meh, it was OK

If there is a reason to see this play, it is Ralph Fiennes

On Theatre
Alexander Larman

Classic is back

Why contemporary art may be losing ground

On Art
Rufus Bird

Fear and fury in Belfast

Violence spiralled out of control in Northern Ireland in the aftermath of a shocking crime

Artillery Row
Adam James Pollock

Dignified design for the people

A book that asks all the right questions but hasn’t thought through all the answers

Books
Amelia Butler-Gallie

New model Auntie

David Elstein spells out the big decisions that Matt Brittin, the BBC’s new director-general, needs to make very quickly in order to save the Corporation

Features
David Elstein

The miracle of the magical migrants

Is a man’s identity is fluid when he steps on British soil, but calcified on African soil?

Features
Geoffrey Heath-Taylor

Let there be lightness

Black Comedy is best viewed as a breathtakingly accomplished technical exercise

On Theatre
Alexander Larman

Venice Biennale 2026

Collected detritus of Biennales past, left available for recycling when there’s space to fill

Studio
Lisa Hilton
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