Music
Devil’s music
“Satanic Panic” still haunts heavy metal
Nastasia Khrushcheva: Normal Music (Melodiya)
In troubled times for Russia, this album hints at the future of the country’s music
Unfinished? Don’t start!
A new project to restore Beethoven’s incomplete symphony borders on pathological necromancy
In my ears and in my eyes
The Lyrics: the autobiography Paul McCartney never wrote
Money doesn’t smell
What’s the point of refusing Sackler funds for concert halls?
Unexpected music and a crisis of theology
The Critic Narrated: Episode Six, with Sarah Ditum and David Scullion
The unusual, the unsigned, the uncategorisable
Hip-hop has its place, but not necessarily on an alternative daytime radio station
Lana chameleon
Pitchfork was one of a whole ecosystem of taste-making blogs which laid claim to being the ones who had made del Rey
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
London Nights (Capriccio)
Intelligent and well played though it is, Franziska Lee’s album of Londonoid piano pieces can’t make a bad sonata better