Tár
The human subject
Tár is a film of moving ambiguities
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How Bridget Phillipson earned an F
Phillipson’s big ambitions were reduced to performative stunts
The migrant crime cover up
Why is Labour fighting to keep migrant crime statistics secret?
Who pays for Manchesterism?
Burnham spent nine years extracting money from Westminster, now he’ll be reaching directly into taxpayers’ pockets
The goading life
How the transgressive media of the 1990s influenced, and was eaten by, online culture
Amnesty irrational
Gender identity ideologues cannot get away with baseless smears any more
Right-wingers must rediscover their principles
Internalising the logic of liberalism has made defeat inevitable
Strange new world
A new art history hinges on a proleptic reading of Edwardian history
Why do we still have social housing?
A decade working in Social Housing taught me that the sector’s perverse incentives guarantee the perpetuation of the very poverty it exists to eradicate
Why Brexit was right
Bad decisions have been made since we voted to leave but we were still right to leave
Manic and messianic
The Resistible Rise of Arturo Ui, Royal Shakespeare Company
Going Green
A day out with Zack Polanski and friends
Pleasure and persuasion
Jean Sibelius: Symphonies 1-7 (Ondine)
Wit as well as social conscience
Avril Quartet: Claires Obscures (Etcetera)
The global migration compact trap
The UN migration compact may be non-binding, but its political effects are very real
A garden reborn
a garden reborn
Equality of opportunity, and other bedtime stories
Britain cannot make progress if equality is its highest goal