How a studio was bullied into releasing the first cut of an unsuccessful film
A large part of its appeal revolves around a simple fact, it is utterly terrifying
Alexander Larman reviews Fall of the House of Byron, by Emily Brand
Alexander Larman recalls the glee and disbelief at one of literature’s most beguilingly horrible figures
It is not just Nolan’s reputation that is on the line if Tenet is released in July
How can theatres come out of this, asks Alexander Larman
The TV adaptation that reflects the falsity of campus novels
Give us more judgement, more opinions and more criticism
When has media coverage really influenced politics?
Comic writing: light distraction or social mirror?