Thangam Debonnaire
Thangam Debbonaire and the curse of slop history
History is a cudgel in the hands of opportunistic ideologues
No second coming for the arts
Labour will finish the Tories’ work of destroying the arts – only “better”
Most Read
How religion shapes football fandom
The meaning of football is intertwined with the meaning of faith
Why has Keir Starmer been so unpopular?
He was the perfect embodiment of a failing system
Can Russell T Davies write “terfs”?
In Tip Toe, Russell T Davies is more nuanced than one might expect — much to the dismay of gender ideologues
Labour’s mercurial kingmaker
The eventful career of Josh Simons, the man who gave up his seat for Andy Burnham
In defence of Lara Bird
There is nothing weird or dishonest about having a dual existence
The case against Project Spire
The Church of England should abandon this misleading and expensive exercise in virtue signalling
Reclaiming Christian nationhood
Linking the Christian faith to our national identity is not radical (or American)
Questions for the Munich hawks
It is wrong to use Neville Chamberlain as a byword for cowardice and fecklessness
The miracle of the magical migrants
Is a man’s identity is fluid when he steps on British soil, but calcified on African soil?
The malicious and the mad
Two recent productions offer two different perspectives on dark sides of masculinity
Art: my part in its downfall
Pierre d’Alancaisez was part of the
contemporary art world’s inner circle until
he saw the error of his ways
The last thing Labour needs
The revival of the Terminally Ill Adults Bill threatens to consume a party already struggling to hold itself together
Averting irrational egalitarianism
How to stop ideological anti-racism damaging our institutions and our country
The global risks of the AI illusion
What if AI turns out to be a lot less profitable than we have been told?
The futility of right-wing cancel culture
Trying to get left-wing comedians fired for edgy jokes is stupid as well as wrong
Unholy war
The Kremlin’s actions contradict its image of itself