The Old Vic
A great tribute to a giant of the theatre
Two major revivals of Tom Stoppard’s work
Most Read
Amnesty irrational
Gender identity ideologues cannot get away with baseless smears any more
Why they hated Ann Widdecombe
Fair-minded people could agree or disagree with her opinions. Left-wing bigots hated her for not abandoning them
Who pays for Manchesterism?
Burnham spent nine years extracting money from Westminster, now he’ll be reaching directly into taxpayers’ pockets
The case against recognising Somaliland
The Somaliland lobby is being dangerously naive about the realities of the region
The goading life
How the transgressive media of the 1990s influenced, and was eaten by, online culture
The pitfalls of epistemic snobbery
The “Sophie of Dundee” case proves that confirmation bias is a double-edged sword
I’m worried about Andy Burnham
If Burnham does to Britain what he has done to Manchester, we are in big trouble
The SNP is in a Peter Murrell muddle
The Peter Murrell case has exposed the rot at the heart of the SNP’s political culture
Hey, leftists, leave independent schools alone
The campaign against independent schools is irrational, short-sighted and destructive
Brave new world or fools’ paradise?
For Dubai’s quarter of a million British expats, the Iran war is a mere blip in a luxurious lifestyle
Can Russell T Davies write “terfs”?
In Tip Toe, Russell T Davies is more nuanced than one might expect — much to the dismay of gender ideologues
Dismantle the infrastructure of censoriousness
Digital technology and private intelligence are bolstering cultural censoriousness in universities
When can we believe what we read?
Technology can make knowing the truth more difficult — but we should always have asked more questions about what we read
How should Christian organisations respond to illegal migration?
It is wrong to think that Christianity demands that we open our borders
Ban their benefits and deport them
Our interview with Zia Yusuf
AI podcasts give me the creeps
The more we outsource to AI, the more forgettable our cultural output is going to be