In light of the Césars drama, Christopher Silvester considers crime and censorship in film appreciation
For a folk hero this Ned has zero contact with the ordinary Irish folk who will supposedly come to love him, says Christopher Silvester
The most successful modern actor-director, Clint Eastwood, rejects “the auteur crap”
As usual, the Academy flagellates itself over insufficient African American Oscar contenders
Some of the greatest movies ever made were incredibly long. But is a film lasting 13 hours just too much?
Martin Scorcese’s new Mafia movie is the culmination of a great career