Christopher Silvester

In light of the Césars drama, Christopher Silvester considers crime and censorship in film appreciation

For a folk hero this Ned has zero contact with the ordinary Irish folk who will supposedly come to love him, says Christopher Silvester

The most successful modern actor-director, Clint Eastwood, rejects “the auteur crap”

As usual, the Academy flagellates itself over insufficient African American Oscar contenders

Some of the greatest movies ever made were incredibly long. But is a film lasting 13 hours just too much?

Martin Scorcese’s new Mafia movie is the culmination of a great career