The art of the comeback
What are Trump rallies for, now he is out of the White House?
Letter from Washington: Do Democrats really want to learn from 2020?
A supposedly honest election post-mortem is a symptom of the party’s problems
Scare talk on steroids
The Democrats’ hyperbolic rhetoric about the return of Jim Crow laws risks derailing their voting rights legislation
Letter from Washington: Why critical race theory matters
A bad idea is a serious problem
Letter from Washington: Same old special relationship
Neediness has defined US-UK relations for 80 years
Letter from Washington: Biden blocked
After a hyperactive first few months, is the president running out of steam?
China wolf bait
Chinese propaganda plays on the manifest faultlines of American society
Letter from Washington: The great lab leak U-turn
A theory dismissed as ‘disinformation’ has suddenly gone mainstream
Letter from Washington: Team Musk
Why we need more Elons
Letter from Washington: She’s running
Caitlyn Jenner’s candidacy is the latest blow to any distinction between celebrity and politics
Midlands marvels and mysteries
A fitting if flawed tribute to one of England’s more undersung counties
Labour has a conspiracy problem
Dawn Butler MP should reevaluate her eccentric ideas
The nurseryfication of culture
Alienation has encouraged the normalisation of childishness
Swiftism’s role in saving the V&A Museum
The unconventional Englishness of the Taylor Swift phenomenon
Kemi Badenoch won’t save the Conservatives
Her radical credentials are based on pure PR
Two cheers for pedestrianisation
Pedestrianisation cannot solve all of Oxford Street’s problems
The Royal British Legion’s day to forget
The “Pride poppy” demeans what should be a dignified occasion
Post-truth medicine
Gender clinics offer a charade that relies on the symbols of evidence-based medicine
The half-forgotten promise of the Jubilee Line
The London Underground line points the way towards a better future
Trump: Post-Modernist?
The former — and future? — president has an awkward but interesting relationship with the truth
The second life of Tracey Emin
A brush with death has revitalised her work
