Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

Bloodsucking, in various more or less metaphorical guises, is after all opera’s happiest place

Madama Butterfly, Opera Ballet Flanders, Antwerp

The Boys from Syracuse, Upstairs at the Gatehouse

A bomb dropped into the frightful world of mid-Victorian musical entertainment

Bring back the castratos? Might as well

Andrea Chénier, Royal Opera House

Sex, death, sado-masochism and blasphemy in a heady cocktail

It’s an amazing paradox that something as tawdry as opera can produce such a pure expression of what it is to be human

Here, at last, is a mind-expanding podcast that is the antidote to everything the wretched Arts Council stands for