Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

The elegant narrative solution of suicide has had no greater cheerleader than opera

Opera directors are utilising programme books to purvey their moral and ethical wisdom

Dame Ethel Smyth’s opera dated quickly, but it hardly hurts to have another look at it

John Blow, Venus and Adonis; Henry Purcell, Dido and Aeneas (HGO)

Spare us the social justice preaching

Politics and historical commentary aside, Lohengrin is currently on at Covent Garden

Lent is an ideal time to take pleasure in a gentle, contemplative and very English strand of musical melancholia

Ignoring Russian opera — and, in particular, Nikolai Rimsky-Korsakov — is a mistake

‘Peter Grimes’ labours under the weight of national anxieties

The brilliant story of a Francis Bacon exhibition in Moscow