Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

Rodelinda, at Garsington Opera, lacks real attention to character or relationship

The Covent Garden Semele uses the bad-faith tricks of the director’s shabby trade

Richard Wagner, it appears, had Nazism thrust upon him

The Queen of Spades, Garsington

Who should we blame for art admired by monsters?

Jephtha, Il Pomo d’Oro, Barbican

Giulio Cesare, The English Concert, Barbican

How gratuitous would everyone would have found this if the film had never existed?

The brilliance of an overlooked generation of 18th century English music makers

There’s got to be some sort of price to pay for being so fabulous