Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

Most film adaptations have been pale imitations weighed down with charmless music

This, at last, is what the English National Opera is for

You’d have thought the Head Muse of old Vienna had enough on her plate

The war between city and greenery is eternal; the concrete and asphalt seeks open land to engulf

The Tales of Hoffmann, Royal Opera House

Composers have been no slouches when it comes to the sauce

The Turn of the Screw, Coliseum

Bloodsucking, in various more or less metaphorical guises, is after all opera’s happiest place

Madama Butterfly, Opera Ballet Flanders, Antwerp