Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

How gratuitous would everyone would have found this if the film had never existed?

The brilliance of an overlooked generation of 18th century English music makers

There’s got to be some sort of price to pay for being so fabulous

Most film adaptations have been pale imitations weighed down with charmless music

This, at last, is what the English National Opera is for

You’d have thought the Head Muse of old Vienna had enough on her plate

The war between city and greenery is eternal; the concrete and asphalt seeks open land to engulf

The Tales of Hoffmann, Royal Opera House

Composers have been no slouches when it comes to the sauce

The Turn of the Screw, Coliseum