Features
The theatre of inconvenience
The Old Vic’s abolition of women’s toilets is an outrage
Chronicles of an epic egomaniac
Tackling Harold Bloom
The art of attribution and the attribution of art
The older the work, the harder it is to be sure what it is or who it’s by. So how do the experts decide?
The Critic Interview: Gilbert and George
Michael Prodger meets the defiantly independent duo who back Brexit and resent the hostility of the art establishment towards them
The beauty of Brutalism
Durham’s concrete masterpiece needs love, not the wrecking ball
The British state is failing to protect women
Misogyny, rape and sectarian violence go increasingly unchallenged in the UK
Is cricket growing up and leaving home?
In many ways the sport is thriving, but there is danger ahead
The student politics of Clive Lewis
All he sees are good guys and bad guys
Anarchy in the UK
Until the Siege of Sidney Street, anarchism had been tolerated in England
Twitter’s doxxing problem
Social media “outings” expose serious lapses in legality and digital morality
In defence of Elon Musk
Open debate might be messy but it is essential
Gifted children
How does one wrap a bank transfer?
Journeys in Genderland
The stories of people caught up in the madness of gender ideology are beyond belief
Femcel fantasies
“The Substance” is an accidentally revealing film
Defend the arts … before it’s too late
It will take more than a new government and a bonfire of policy documents to put things right
Policies Galore!
Scotland has social democratic goodies under the floorboards, so long as the wicked English excise men don’t spoil everything.
