Jonathan Ruffer’s daring philanthropic experiment hopes to bring a different kind of regeneration to the north-east

The Cosmic House breaks through the orthodoxies of modernism with its game-playing, colour and ornament

Ecclesiastical textiles, Regency architecture and relief carvings: welcome to The Critic’s new address

London is no longer a Victorian city constructed on a medieval street plan, but a collection of cheapskate towers and characterless streets

Westminster City’s plan to replace London’s gaslit routes