Roger Scruton
A path open to us all
Daniel Johnson reviews Wagner’s Parsifal, by Roger Scruton
Defenders of a shared culture
Oliver Letwin compares and contrasts two conservative philosophers, the late Roger Scruton and Michael Oakeshott
The philosopher’s mind at its end
Sir Roger Scuton’s biographer on the last days of a giant
Vinous Valhalla
David Womersley reveres Roger Scruton on wine
Philosopher par excellence
Beyond the breaking glass of his public interventions, Sir Roger Scruton was a peerless intellectual
Few heirs to spare
Is philosophy even within reach of conservatives?
Conspiracies against the left
There are no new problems in the New Left, only old solutions in fighting them
Roger Scruton’s Faith
The admirer of Christ who never quite became a follower
Scruton’s Danubian overtures
Sir Roger Scruton: A classical composer and inspiration to Hungarian students
Building Scrutopia
Sir Roger Scruton and the architectural establishment
David Lammy’s Caucasus catastrophe
The Foreign Secretary’s blunder has exposed the hollowness of “progressive realism”
Dancing with Beethoven
Beethoven: String Quartets, vol.2 (Chandos)
Reading Winston Churchill
Half a century on, we’re still learning more about Britain’s most famous Prime Minister
A wealth of glorious objects and images
A new book about the discovery of classical sculptures and frescoes is itself a real treasure
Sectarianism contra socialism
How did “left-wing” MPs end up voting for the VAT exemption for private schools?
Eerie decadence
“Blink Twice” accelerates from black comedy to dark drama
Anti-Christian bias is rife in Employment Tribunals
If you’re Christian, you can no longer count on a fair hearing in workplace disputes
The monumental cradles of democracy
Squeezed into a single large volume, readers can now find a remarkable account of the Greek city
The public sector must reform or die
Too big to fail? It is too big to succeed
The opportunism of anti-police activists
Continued agitation around the death of Chris Kaba is inexcusable
Stubbs at flay
His controlled charnel house gave the painter a peerless understanding of horses
