The Critics
The brighter side of German Expressionism
The expressionists breathed fresh life into familiar subjects
Loony tunes
Opera begs leave to celebrate lunacy in a different way
Two sides of the weird frontier
The archly neutral now stands on the margins, looking out at a society of fear and outrage
“Trad” theatre can still feel fresh
West End strikes a balance between keeping their spine and nostalgic appeal, whilst avoiding creakiness
Making art of the Holocaust
As dramatic opera, The Passenger inhabits a grey zone of guard–prisoner relations
Lucia di Lammermoor, Royal Opera House
It’s an amazing paradox that something as tawdry as opera can produce such a pure expression of what it is to be human
Having a bad Bey
If you’re going to jettison the essence of the song, why even bother?
Violent delights
It’s 30 years since Pulp Fiction hit cinemas, and what a time it was to be young
Rock as ritual
Just as Taylor has nailed the emotional lexicon of her people, Finn has nailed it for his
First impressions
The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition