The Critics

Cesare, Somerset Opera, Frome Memorial Theatre

Blurring the line between art and activism

Watch events unfold from behind the mixing desk

My Oxford Year is a trend-obsessed pastiche

Seek delights in vain at our main companies, but the fringe lets them gambol free

Somehow Alfred Brendel managed to appear both deadly serious and not serious at all

Music has inspired two fine new productions

D. H. Lawrence claimed the symbol of rebirth as his birthright

A review of Lucia di Lammermoor at the Opera Holland Park

Soderbergh’s misses are better than a lot of other people’s hits