Caravaggio
Caravaggio’s great extremes
Caravaggio’s art is a vivid rebuke to an artificial idealised reality
Most Read
Tame Impala fails to impress
unconquered by a
taste of Crusader food
A shameful Bill
Labour is spectacularly failing the British people on immigration
Going Green
A day out with Zack Polanski and friends
What is wrong now was wrong before
Julia Gillard should not pretend that the “unintended consequences” of the gender debate were unknowable
Pleasure and persuasion
Jean Sibelius: Symphonies 1-7 (Ondine)
Running out of autobahn
Beijing’s manufacturing strategy is colliding with Europe’s self-inflicted industrial weaknesses
The pitfalls of epistemic snobbery
The “Sophie of Dundee” case proves that confirmation bias is a double-edged sword
What difference does he make?
Andy Burnham is not the answer to our woes because Burnhamism is not replicable
Soft-Play Britain
Britain’s governing class talks of growth and grandeur but focuses on planters and paint schemes
The real problem with rigmarole
A journalistic focus on proceduralism distracts us from deeper political questions
The principles of peers
Supporters of assisted suicide are being sore losers
Publishing has an AI problem
From reviews to actual books, creativity is being outsourced to machines
A love-hate affair
Finger-lingering over hideous fluffy lilac footwear
Right-wingers must rediscover their principles
Internalising the logic of liberalism has made defeat inevitable
Facing demons
On the highs and lows of demonic infestation
The trains have to run
Populists have had success in persuading people that they can govern — but can they actually govern?