At times Portrait of a Muse feels like a Julian Fellowes soap opera where we see this woman of extraordinary vivacity making great men go weak at the knees

At the end of a dismal year, consider the cult dystopias of the optimistic 1990s.

The Comeback is a gutsy British response to a period of glum hardship

Rex Whistler’s Tate mural should be seen more as an ironic Rococo fantasy than the work of a racist

Even the venerable and conservative Louvre is exploring various fundraising novelties, says Michael Prodger

The coronavirus pandemic has decimated the nightclub industry, but will the shifting landscape sow the seeds for an entirely new era of clubbing?

Will traditional museums be replaced by modern “experiences”?

London’s orchestral rat-race will have fewer runners when musical life returns, says Norman Lebrecht

Black’s History Week, with Professor Jeremy Black and Graham Stewart

The 1946 classic is a timely reminder that affection and loyalty can surface in the most difficult of circumstances