Culture
Don’t mention the war, or Alf Garnett
The ‘offensive’ TV landmarks censored from Britain’s answer to Netflix
An adult view of monarchy
The artistic achievement of ‘The Crown’ has been undervalued
Who’d want to be a critic?
Criticism has died at London’s newspaper
Naughty but nice
Every six months or so opera surfaces from its undersea lair, like a Bond villain, to enter public consciousness — generally when it’s been naughty.
The art of attribution and the attribution of art
The older the work, the harder it is to be sure what it is or who it’s by. So how do the experts decide?
The Critic Interview: Gilbert and George
Michael Prodger meets the defiantly independent duo who back Brexit and resent the hostility of the art establishment towards them
The beauty of Brutalism
Durham’s concrete masterpiece needs love, not the wrecking ball