Film Review

Movie length seems to have become a way for directors to tell us what serious people they are

Ghostbusters: Frozen Empire is heroically pointless

Alex Garland’s Civil War is filled with terror and horror

We should be giving copies of this magazine away at every screening

Why has Sophie Ellis-Bextor’s “Murder on the Dancefloor” caught the world’s attention again?

“The Boys On The Boat” is wholesome but unconvincing

The Goldfinger is an action thriller of the mind

There is no conflict between being truthful and being compelling

Nothing else has been quite as effective for introducing children to grief

History is fashionable again at the cinema