Is the Northman alt-right propaganda? Perhaps, but it’s not the only one
A quintessentially English spirit of wry rebellion lives on in two new films
Christopher Silvester reviews two semi-autobiographical movies: Oscar-contender Belfast and arthouse The Souvenir
Kenneth Branagh’s Belfast transcends the identity strait jacket
Two political thrillers reveal the intimate cruelties of life under dictatorship
Streaming services contain a wealth of overlooked foreign-language war stories
Is The Matrix best judged as cinema or cultural phenomenon?
How much has really changed in the film industry since the Dirk Bogarde film “came out”?
The Deer Hunter remains the most affecting of Vietnam movies, Christopher Silvester writes
Ben Sixsmith reviews My Friend the Polish Girl