Film Review
Long story short
Movie length seems to have become a way for directors to tell us what serious people they are
Ghostbusted
Ghostbusters: Frozen Empire is heroically pointless
War destroys everything
Alex Garland’s Civil War is filled with terror and horror
A sharp satire perfect for Critic readers
We should be giving copies of this magazine away at every screening
Saltburn and the significance of sound
Why has Sophie Ellis-Bextor’s “Murder on the Dancefloor” caught the world’s attention again?
Row, row, row your boat
“The Boys On The Boat” is wholesome but unconvincing
Returning affairs
The Goldfinger is an action thriller of the mind
The artistic case for historical accuracy
There is no conflict between being truthful and being compelling
The Snowman and the sacrifices of Christmas
Nothing else has been quite as effective for introducing children to grief
Return of the biopic
History is fashionable again at the cinema