Filmmakers have fallen out of love with romantic movies, but it’s time to bring back passion to the picture house

This kind of adolescent tripe passes these days for thought

You cannot address the underrepresentation of women by including men

Ghostbusters: Frozen Empire is heroically pointless

Alex Garland’s Civil War is filled with terror and horror

Taboo-breaking counterculture paved the way for the return of the very fascism it claimed to subvert

We should be giving copies of this magazine away at every screening

Why has Sophie Ellis-Bextor’s “Murder on the Dancefloor” caught the world’s attention again?

Michael Mann’s Ferrari shows how ambiguity and contradiction fuels us

“The Boys On The Boat” is wholesome but unconvincing