Rainer Werner Fassbinder
Deconstructing a giant of the screen
For a gay, Hegelian, terrorist-sympathising dialectician, Fassbinder was a rather conservative moviemaker
Most Read
How religion shapes football fandom
The meaning of football is intertwined with the meaning of faith
Labour’s mercurial kingmaker
The eventful career of Josh Simons, the man who gave up his seat for Andy Burnham
In defence of Lara Bird
There is nothing weird or dishonest about having a dual existence
The hitch with the Hitch
How Christopher Hitchens brought me back to Christ
The ties that bind
A revived society tie has raised thousands for hedgehogs — and reminds us what Britain has lost with the decline of the club tie
Boriswave denialism
Britain’s ruling class has used dependence on cheap labour as an economic strategy, and cannot see any other option
Contra Kemi
Is Kemi Badenoch a principled opponent of identity politics or an anti-woke opportunist?
The RAM should face the music
Why the Royal Academy of Music shuts of pupils from private schools
Why nobody likes a smarty pants
Is it reasonable to conflate genuine intellectual endeavour with undue concern for supposed accuracy?
Kemi at the crossroads
Kemi Badenoch cannot tell everybody what they want to hear
Tasty tunes
The Chocolate Soldier, Opera della Luna, Wilton’s Music Hall
The resistible centrism of Mark Gatiss
Why a centre-left worldview struggles to understand dissent
Europe’s French nuclear shield?
With the NATO alliance under threat, will
Europe really trust President Macron’s
offer of a pan-EU nuclear deterrent?
First-place Finnish
Shostakovich: Symphony 1; Moscow Cheryomushki (Philharmonia Records)
The third man
Bridget Phillipson’s “Code of Practice” has clarified nothing on sex and gender
