A trauma that never ends
Adam LeBor commends the BBC’s latest documentary on the Iraq war
Too many women are being murdered
Why crime writers need to move on from serial femicide
Rave that runs out of puff
Summertime and the streaming is easy, but Netflix’s White Lines leaves Adam LeBor cold
Nazi blueprint for postwar integration
How Walther Funk’s 1940 memo predicted the rise of the European Union
Shakespeare in the West Bank
Adam LeBor has found one of the most immersive, and exhausting, experiences television has to offer
We have been here before
A 1970s drama played on a nagging sense that modern life was fragile
A tale of two Harrys
Adam LeBor on the sharply written TV show: The Windsors
Pure gold among the C4 dross
Adam LeBor strikes television gold
She’s not the messiah…
Watching Greta Thunberg and the hysterical devotion she arouses, I am reminded of Judaism’s best-known self-styled redeemer
Manners maketh answers
Rudeness does not make for good television
July/August 2020: Letters to the Editor
The opportunity deaccessioning creates for activism
Young man in a hurry
Is Douglas Ross ready to lead the Scottish Conservatives?
A gentleman and a player
The well-rounded life of Stuart Wheeler
Satire needs to find new targets
There are still plenty of institutions worth mocking
Achilles heels
Hannah Betts has a fashion-defying weak spot for empowering altitudes
It’s not racist not to support Black Lives Matter
Ella Whelan explains why we all need to start talking, in person, again
Liar! Liar! House on fire?
Never mind whether PMQs matter – does Parliament currently matter?
Why is the Anglosphere hated?
CANZUK deserves debate, not character assassination
Pond life with Mum
Patrick Galbraith says water can be a great healer
‘You’ll be a Man, my son!’
Rudyard Kipling’s (in)famous poem “If” reverberates with valuably relevant and humane advice for 2020 Britain