Mieczyslaw Weinberg: Chamber symphonies 2&4
Weinberg is an absolute master of intimated emotion
Pohadka (Chandos)
The Czechs always have talent to spare on the bench
Malcolm Arnold: A centenary celebration (Somm)
Orchestras should be ashamed of their aversion to the composer
Album of the Year: 2021
2021 has yielded more memorable albums than you can count on the fingers of two hands
Ferrucio Busoni: Elegies (Chandos)
British pianist Peter Donohoe’s recital is a perfect pick-me-up for Covid gloom
Hans Werner Henze: The Sea Betrayed (Capriccio)
I was completely absorbed by this opera as a sound production — maybe one day I’ll get to see the whole show
Brahms 4th symphony, MacMillan Larghetto for orchestra
The Larghetto’s organic optimism transcends present woes and looks to bright eternity
High-voltage Haitink recalled
Bernard Haitink, who died last month, was a conducting master
Renaud Capucon: Un violon à Paris (Warner Classics)
Taken together, it’s not the kind of music you want to hear in isolation
Paul Hindemith: Mathis symphony (Naxos), Clarinet concerto (Orfeo)
When asked “which Hindemith should I try first?”, I’m lost for an answer
