Robert Thicknesse

Robert Thicknesse is the Critic's opera critic

Mariame Clément’s new production of Don Giovanni falls prey to modern mores.

A fun but difficult production of Il Trovatore

Fun with fear and failure

Horrors wrestled into being

April in London has a number of operatic things that look kind of fun

Recalling a thrilling collaboration between the poet and a group of oddball musicians

In true bel canto, the only important thing is the voice, the song

The Rhinegold, English National Opera, Coliseum