The Critics
A night of spectacle and special effects
Stranger Things: The First Shadow designers aren’t afraid to raid the treasure trove
High art or high camp?
Elektra, Royal Opera House
Row, row, row your boat
“The Boys On The Boat” is wholesome but unconvincing
Goodnight Vienna
A new Austrian musical taps dark material to produce a brilliant, unsettling and darkly funny exploration of the Anschluss
The imagination of Ensor
The great Belgian painter could enliven the most mundane scenes
Behind the scenes at the museums
The exhibits missing from the globe’s galleries and museums
The geopolitical prescience of Handel
On opera’s flirtation with current affairs
Retro Rodrigo is primo
A new nostalgia listening to GUTS
Thoughtful delicacy and austere introspection
An exhibition of the art of Gwen John secures her legacy
Women’s anger and women’s ambiguities
A new exhibition offers interesting, if sometimes confusing, perspectives on women in revolt