The Critics
Giant is electrifying and unmissable
It is a play of nuance and three dimensions, not agitprop
Lady Gaga’s new album is a blast
Until now, she’s never been as much fun as she was in the noughties
Domesticating Wagner
A new production of Die Walküre is at odds with its music
The Merry Widow’s peak operetta
Who should we blame for art admired by monsters?
Painters, legacies and lawyers
Money turns art, and the control of art, febrile
Remembering my old pal, “Peebs”
Andy Peebles had a broader hinterland than one might expect from a DJ
My Master Builder is poorly constructed
An overwrought, undercooked relationship drama with wince-making dialogue
Family matters
Jephtha, Il Pomo d’Oro, Barbican
Desert love songs
Giulio Cesare, The English Concert, Barbican
Art for art’s sake
A collector who bought for pleasure rather than investment
