The Critics

It is a play of nuance and three dimensions, not agitprop

Until now, she’s never been as much fun as she was in the noughties

A new production of Die Walküre is at odds with its music

Who should we blame for art admired by monsters?

Money turns art, and the control of art, febrile

Andy Peebles had a broader hinterland than one might expect from a DJ

An overwrought, undercooked relationship drama with wince-making dialogue

Jephtha, Il Pomo d’Oro, Barbican

Giulio Cesare, The English Concert, Barbican

A collector who bought for pleasure rather than investment