The Critics

The man, the schemes and the burglar-alarmed fortress that kept Italy’s artistic legacy away from German acquisition

Frecknall’s Streetcar is a commendable, if not stellar outing

How music colleges need to adjust to the twenty-first century

Making romcoms modern: plausible obstacles to happiness and a broadening of vision

Jibaro is an artistic triumph

Children are always unwelcome in Opera, except in The Magic Flute

Dinosaur skeletons have stalked their way out of the museum world and into that of well-heeled collectors

Stalag 17 followed by Frank Capra’s It’s a Wonderful Life is an ideal festive double-bill

Taylor Swift’s talent for ordinariness that makes her the most exceptional artist at work today

A show worth the licence fee by itself