The Critics
Mad for it
A review of Lucia di Lammermoor at the Opera Holland Park
Seek out The Ballad of Wallis Island
Soderbergh’s misses are better than a lot of other people’s hits
The delicate art of sampling
Every reference you pick up on opens a new horizon
Big, dumb and full of fun?
“Operation Mincemeat” does not quite live up to the hype
The life and death of Queer Art
Queer culture turns to nostalgia and death
When the Nazis occupied Britain
When necessary engagement becomes collaboration is an unspoken question
Curiously inconsequential
Rodelinda, at Garsington Opera, lacks real attention to character or relationship
Bonfire of the vanities
The Covent Garden Semele uses the bad-faith tricks of the director’s shabby trade
Will anyone follow the Lieder?
Other singers presented Lieder recitals; Fischer-Dieskau personified the art form
Lets hear it for Rattigan again
The consummate playwright of the obscure workings of the human heart
