The Critics

Elektra, Royal Opera House

“The Boys On The Boat” is wholesome but unconvincing

A new Austrian musical taps dark material to produce a brilliant, unsettling and darkly funny exploration of the Anschluss

The great Belgian painter could enliven the most mundane scenes

The exhibits missing from the globe’s galleries and museums

On opera’s flirtation with current affairs

A new nostalgia listening to GUTS

An exhibition of the art of Gwen John secures her legacy

A new exhibition offers interesting, if sometimes confusing, perspectives on women in revolt

Living Architecture is opening minds and changing taste