The Critics
The malicious and the mad
Two recent productions offer two different perspectives on dark sides of masculinity
Zurbarán on Freud’s couch
An acclaimed new exhibition is full of overwrought symbolism and compositional failures
Restoration romps
Purcell, The Musical, OSO Arts Centre, Barnes
The chairwoman of the board
A story driven at a whip-crack pace, pulsing with manic energy and nail-biting
Piano pair strike just the right note
Serendipity has delivered a double bill for the ages this month
Better Slayyyter than never
Like the first Strokes album if Max Martin had produced it
Beauty from the ruins of war
Painting gave artists and their viewers a temporary way out of the grim wartime reality
The Boston barbarians
The Boston Symphony acted like a New Orleans nightclub owner with a recalcitrant pole-dancer
These violent delights
Pagliacci made the murder the true apex of the show
Spaceships, ghost ships and sheep
The secret sauce of Project Hail Mary: it’s a laugh
