The Critics
A tale of two Harrys
Adam LeBor on the sharply written TV show: The Windsors
Would the Bard be forced to rebrand himself “gender-fluid”?
Romeo Coates on the latest backstage gossip
Unleash this heavenly voice
The role of music in Jewish worship has acquired a sudden topicality with the involvement of two major record labels
Less austerity, more pizazz
Grand opera was long thought quite dead but is suddenly rearing its shaggy head again
Calculated absurdity
I want to listen to music that sounds like the dumb hopefulness of being young that I once couldn’t wait to rid myself of, says Sarah Ditum
The gender discount
Women may now account for 64 per cent of fine arts graduates in Britain but research shows the old values remain entrenched, says Michael Prodger
Blessed plot – or maybe not
“Albion” takes up the challenge of the moving goalposts of Brexit and social and economic fragmentation, says Anne McElvoy
Untrue story of the Kelly Gang
For a folk hero this Ned has zero contact with the ordinary Irish folk who will supposedly come to love him, says Christopher Silvester
Pure gold among the C4 dross
Adam LeBor strikes television gold