The Critics

As we career merrily ever deeper into the end-times, what is the appropriate soundtrack for civilisational collapse?

There are expectations going back to 1948 that musicians turn up to provide relief

Whatever the framing, the sexuality is the story

Stranger Things: The First Shadow designers aren’t afraid to raid the treasure trove

Elektra, Royal Opera House

“The Boys On The Boat” is wholesome but unconvincing

A new Austrian musical taps dark material to produce a brilliant, unsettling and darkly funny exploration of the Anschluss

The great Belgian painter could enliven the most mundane scenes

The exhibits missing from the globe’s galleries and museums

On opera’s flirtation with current affairs