The Critics
Lucia di Lammermoor, Royal Opera House
It’s an amazing paradox that something as tawdry as opera can produce such a pure expression of what it is to be human
Having a bad Bey
If you’re going to jettison the essence of the song, why even bother?
Violent delights
It’s 30 years since Pulp Fiction hit cinemas, and what a time it was to be young
Rock as ritual
Just as Taylor has nailed the emotional lexicon of her people, Finn has nailed it for his
First impressions
The first Impressionist exhibition was no obscure bit of posturing, but artistic sedition
Politics with the depth of a puddle
A month of politically-minded podcasts has reached its exhausting apogee
Off with the fairies
Unsurprisingly, the most brilliant of all English music-theatre pieces are mostly overlooked
Poor old Carmen
This update of a classic from the Royal Opera House is a reminder of why messing with great pieces is so risky
The untalented Mx. Ripley
In a story of a fiendishly successful performance, Eliot Sumner proved an extremely unconvincing man
Too much disinformation
Mariana Spring is back, with another series to set the songbirds a-twitter