The Critics

A unique art exhibition awaits an audience

When things are desperate, you don’t want to be the audience, you want to be the show

It’s the perfect medium for the End Times, unequalled in its devotion to doom

How Canada reinvented its musical prowess

How we underestimate the women in Mozart’s Cosi fan tutte

How the musical sensation, Six, uncovers more than just the stories of Henry VIII’s wives

Is this the end of the Elgin Marbles debate?

Chekhovian gloom echoes across the centuries, but Vanya needs new impetus to avoid museum status, says Anne McElvoy

The director wanted to show things as they were – badly-led, no one wanting to fight or knowing what they were fighting for, says Christopher Silvester

Adam LeBor on the sharply written TV show: The Windsors