The Critics
Artemisia will be worth the wait
A unique art exhibition awaits an audience
Lifetimes of self-isolation
Composing in seclusion
Lockdown Cinema
Staying frosty in plague times
We have been here before
A 1970s drama played on a nagging sense that modern life was fragile
Online drama can be a hit
Some of the shortcomings of the theatre turn to benefits in digital translation
The only thing to do is dance
When things are desperate, you don’t want to be the audience, you want to be the show
Wildest dreamland
It’s the perfect medium for the End Times, unequalled in its devotion to doom
Welcome to the unfrozen North
How Canada reinvented its musical prowess
Men beware women
How we underestimate the women in Mozart’s Cosi fan tutte
Losing my head over Catherine
How the musical sensation, Six, uncovers more than just the stories of Henry VIII’s wives
Tough on the causes of non-crime
A warm welcome back to non-crime hate incidents
Passing the baton to the offspring
Does maestro talent run in the genes?
Mental illness is more complex than we think
There are no easy answers when it comes to mental health
In defence of the incredulous stare
To argue is to indulge in a practice, with all that this entails
Keeping your head may just save your soul
Hyperreality meets holocaust denial in the insanity of the social media age
Was the Budget stupid or malicious?
It is going to fuel youth unemployment
Just the tonic
Rediscover the forgotten treasure of Australia: fortified wines
The Critic
No they haven’t put the mag on the silver screen just yet, but its still worth watching
Donald Trump and the age of sovereign internationalism
We are entering a new age of great power competition
Procedural Man
The Process is good, the Process is correct, no matter what, trust the Process
Alive and flicking
A game invented by a man named Adolph might have been a hard sell to the British public, but it was an instant hit
