The Critics
A hellhole Noël
Stalag 17 followed by Frank Capra’s It’s a Wonderful Life is an ideal festive double-bill
Midnight’s mass
Taylor Swift’s talent for ordinariness that makes her the most exceptional artist at work today
Bragg shows what is possible
A show worth the licence fee by itself
Killer thrillers
The creators of Gangs of London could learn a lot from SAS Rogue Heroes
Women on the edge
A feminist frame that doesn’t fit
Norse mode
How John Gabriel Borkman is a hard Ibsen play to like
Inquest into the death of ENO
The cause of death, in this coroner’s verdict, is a prolonged failure to address reality
Wanted: patron of high culture
Someone save Radio 3
The YBAs in middle age
Where are the Young British Artists of Saatchi’s ‘Sensation’ now?
Insanity and death
Munch at the Musée D’Orsay
