The Critics

Stalag 17 followed by Frank Capra’s It’s a Wonderful Life is an ideal festive double-bill

Taylor Swift’s talent for ordinariness that makes her the most exceptional artist at work today

A show worth the licence fee by itself

The creators of Gangs of London could learn a lot from SAS Rogue Heroes

A feminist frame that doesn’t fit

How John Gabriel Borkman is a hard Ibsen play to like

The cause of death, in this coroner’s verdict, is a prolonged failure to address reality

Where are the Young British Artists of Saatchi’s ‘Sensation’ now?

Munch at the Musée D’Orsay